photos by Paul Kranzler from the book, Land of Milk and Honey

Regarding his project, Land of Milk and Honey Paul Kranzler says in interview:

“So like in my case when people are resentful and then they read that I lived there and that we were neighbours and friends and stuff, and that we knew each other for a long time, then they might change their mind. But I don´t want to use the fact that I lived there as a moral clarification of photographing this elderly people who obviously were struggling with other issues, simply getting by day-to-day, with no comprehension for my motivations as an artist and photographer.
” (via gomma)

photo by Ellen Webber from the series, Holding Patterns

This week instead of the usual fodder featured on Camera Reality,
I will be sharing work from the contributors to the first issue of Strant Magazine
which is currently for sale in print (and digital) edition via MagCloud.

These photographs are by Ellen Webber, from her series Holding Patterns.  The series explores identity and more specifically, how we identify ourselves through the things we possess.  In an attempt to understand others better and perhaps in doing so understand herself, Ellen has been shooting Holding Patterns, her subject being garage, estate, and yard sales.  There is something peculiar about these sales.  These possessions that supposedly define us all but discarded by their owner, for sale usually for little or nothing.  In her statement Ellen writes, “Maybe I relate too strongly to my own possessions as a reflection of myself.  Sometimes it’s difficult for me to part with the material; sometimes the outside temporarily fills the inside.”  It is difficult to define ourselves if we strip away our possessions and take away what we do.  So then who are we once we sell those items at a garage sale?  Are we all just empty inside?  I do not believe we are.  We are something more than what we possess.  An amalgamation of experience, thought, body, community, and history.  But it is easier to define us by that which can be reduced down, be it our furniture or our wardrobe.  Those things are easily understood.  But, as evidenced by Ellen Webber’s Holding Patterns, that does not satisfy our need to be defined.

(purchase Strant)

photo by Ellen Webber from the series, Holding Patterns

photo by Todd Roeth from the series, Gregory Alan Isakov: Near Nederland, Colorado

This week instead of the usual fodder featured on Camera Reality,
I will be sharing work from the contributors to the first issue of Strant Magazine
which is currently for sale in print (and digital) edition via MagCloud.

The above photo is by Todd Roeth from his series, Gregory Alan Isakov: Near Nederland, Colorado.
The photograph below is by Jesse Groves from his series, Until There Is

(purchase Strant)

photo by Jesse Groves from the series, Until There Is

photo by John O’Connor from the series, Visitor’s Guide

This week instead of the usual fodder featured on Camera Reality,
I will be sharing work from the contributors to the first issue of Strant Magazine
which is currently for sale in print (and digital) edition via MagCloud.

The above photograph is by John O’Connor from his series, Visitor’s Guide.
The photograph below is by Shaun H Kelly from his series, Circler of Circles.

(purchase Strant)

photo by Shaun H Kelly, from the series Circler of Cirlces

photo by Terrance Reimer from the series, Made In Fresno

This week instead of the usual fodder featured on Camera Reality,
I will be sharing work from the contributors to the first issue of Strant Magazine
which is currently for sale in print (and digital) edition via MagCloud.

The above photograph is by Terrance Reimer from his series, Made In Fresno.
The photograph below is by Jonas Jungblut from his series, Straight From The Minibar.

(purchase Strant)

photo by Jonas Jungblut from the series, Straight From The Minibar

I recently built a bed in which it is my intent that my dogs relieve themselves while we are away at work.  The bed is not at all a work of pristine craftsmanship.  It is however of sound craftsmanship and it does serve a purpose.  I purchased two 8 foot 2×4′s, had the clerk at Home Depot cut them down to 6 foot, brought them home and drilled them together in a rectangle with the remaining 2 foot pieces left over from the cut.  I then filled it with wood mulch.  Immediately upon pouring the bag of mulch into the newly manufactured bed one of my dogs hopped in the bed.  Her intent however, was not what I anticipated.  She made a few circles, sniffed, clawed at, and then settled down into the warm mulch to nap.  My dog toilet had become a dog bed.  Within a few minutes the purpose of my craft had been put into question.

I have also recently submitted a body of photographic work to a contest.  It is a body of work that I have exhibited and has been published in a couple of small publications.  It has been rejected for other contests and publications multiple times.  It has also gone through multiple incarnations in which images have been edited out and put back in.  My intent however, with this body of work has remained the same.  As I gave consideration to submitting or not submitting to this particular contest the question that I considered the most, was what will the judges think of my work.  I read the judges list and researched their backgrounds.  In the end I came to the conclusion that I should submit and that perhaps my perspective on photography and the judges perspective on photography were similar.

The progress with my dog bed has been a bit slow.  I expected it to be but the process has been a bit of a frustrating one.  Convincing a dog takes time.  Sometimes they have gotten it right and I feel the process of building the bed is justified.  Other times they are seemingly indifferent and pay no regard to my intent.  This is the frustrating part of the process.  This is the part of the process that gives me anxiety.  Not because my dogs need to be taught and that takes time, but because something I created  might fail.  The progress seems promising, but in the end the dog bed might not serve it’s intended purpose.  The dogs might never take to relieving themselves in a box as opposed to relieving themselves on the concrete patio.  If this happens, it will be difficult to not consider my craft a failure.

I will hear the results of the photo contest in the coming weeks.  My thoughts thus far have been will the judges think my work is good?  What I am trying to tell myself, what I am trying to believe, is that it doesn’t matter.  Thoughts inform our actions.  I do believe that the way we think about something informs our actions and thus our behavior and thus our overall outlook.  This is why the glass half full people always seem to have things go their way while the glass half empty people always seems to be unsettled and full of anxiety.  Once I hear the results of the contest I can hopefully tell myself it does not matter.  What matters is that I created a body of work with intent and purpose.

I should give more consideration to process than results.  This is difficult as we live in a scientific age of which purpose and order is assigned to everything and consilience is the goal.  We attempt to understand things based upon their end purpose.  If they serve a purpose well and complete the intended task then that thing is of worth.  This gives no space then for things to exist and have beauty in their existing state.  I am not suggesting that whatever I touch turns to gold and whatever I create or whatever anyone creates is of beauty.  The creative process requires refining and discipline.  It requires failure as much as success.  Things must not work in order that the next thing does work.  But I am trying to train my thoughts and I want to believe that process is of value and simply being is of beauty.